Buck Brannaman Clinic Report Day Two…
This will appear in the October Issue of the NDRC Newsletter – you get advance viewing!!

Groundwork after help from Robert. Day one or two.
I thought this one would be shorter, but it turns out it wasn’t…
On day two, I got up a little earlier to get Bailey ready. At lunch time on day one I had asked Buck if he had any flag handles for sale. He doesn’t push his gear or even his DVDs – if someone wasn’t there setting up a table for him to collect spectator fees, I doubt the DVDs would even come out of his trailer. Lucky for me he had one handle left in his trailer and Fawn had a spare piece of flag material. Morning of day 2, I took Bailey into the round pen and had a better idea of what I was looking for her feet to be doing before I saddled her. What I wanted to help her do was respond to a feel on the lead rope when I asked her to move her front quarters out onto the same line as her hindquarters and have her travel united on the circle around me. On the size circle that a 12 foot lead rope allows, her inside hind foot ought to be stepping up and under her and lining up with the print of her outside fore foot. I wanted to see her easily disengage her hindquarters when I asked her with a feel on the lead rope to change directions, stepping fully up and under herself with her hind end and stopping her front quarters completely so she would face up and be ready to go the opposite direction on the circle. She should be able to do this with the flag touching her all over “carelessly” when my leading hand was in neutral – or not asking her to go faster or do anything except accept the commotion of the flag.
She was tight at first, racing around me, blowing out sideways, doing all of the things she’d done the day before – except today I knew better what to do about it. I wasn’t very good at it, at first, trying to remember everything I’d seen Robert do with her and everything I’d seen Buck doing with his young horse on the ground. I tried to make her racing round more difficult by disengaging her hind end and asking her to go the other way, I tried to do the same thing when she’d blow out sideways. Once she was travelling in a more relaxed manner, I started to get particular about her travelling united on the circle. Head tipped to the inside, inside hind stepping up and under, a curve in her body that matched the curve of the circle. I’d try to help her by bumping backwards with my lead rope when her inside hind leg was about to leave the ground, to help her bend a little more and reach that hind leg underneath herself. Fix and release, fix and release. Of course I’d bump when the wrong leg was leaving, get mixed up and have to start watching more carefully, trying to get in time with those feet. Eventually she would start to carry being united for a step or two and I could release (disengage softly) and go the other way. It’s seems strange to me how we block the wrong thing by disengaging but we also reward the right thing by doing that. I’ll have to ask Buck about that the next time I see him. I figure he’ll explain it to me in a way that I can understand, but my horse will have it separated out long before I do. I’m not always sure about what I’m looking at – am I seeing her get united or am I missing it altogether? Buck said for years Ray would work other people’s horses and he’d say, “There, did you see it? She got united.” He’d look at Buck who was watching intently and Buck would nod and say, “Yep, sure did.” When really, he didn’t see anything at all. He knew it was a big deal, but it took him a while before he could see it and then be able to cause it in his horses. There’s hope for the rest of us!
I saddled Bailey and had the same trouble I’ve had since the beginning, she walks around me in a circle when I go to do up the cinch. I had a little more going in the respect department because she wasn’t trying to run me over, but staying at arms length and going around in a circle – it was an improvement. I got her cinched up in a few stages, tight enough that if she had to buck it wouldn’t turn on her, then sent her out on the circle, she was tight and hopped around a bit but I got to her hindquarters and disengaged them, sending her softly the other way. She started to travel okay but worried around me so I used the flag “carelessly” again with my hand in neutral – she had to speed up, so it was more blocking, redirecting and helping her to relax until she was travelling calm, responsive and respectfully around me with a few steps united on that circle – then we went to the arena.
In the arena, people are riding, people are doing groundwork, horses are coming in, spectators are coming in, but Bailey was pretty relaxed. I’d kept her focus on the way there by asking her to stay with me while I walked, stopped and backed, correcting her if she missed a transition, always trying to offer it with my body and energy first so she could get in tune with that. That really helped. I flagged her some more in the arena, and she seemed calm enough to bridle and work on the end of the mecate. We were doing better day two than day one by far, but I still chose to wait to get on until Buck called everyone into a circle around him for the morning talks. I spent part of the time while he was talking and answering questions doing lateral flexions from the ground and then climbed on before everyone started riding. More lateral flexion practice, then walk off a few steps and bend to a stop… then on with what the class was doing. We were busy with short serpentines at first and she still got tight when horses came up behind her but a rub on her neck usually helped (amazing, isn’t it!!). I stuck with this longer than the rest of the class, since we sure need a lot of it. Having a lot of trouble getting her to go – but the crowd of horses helping to carry her along some what. We still have to work on getting her more responsive to my leg. I’ve been building in a good “go” smooch on the ground the last few times we’ve worked together in preparation for doing that on her back, but that is another story for another day! What I understand about short serpentines so far is that yes they are overbending a horse laterally, but when they are done correctly, the horse learns how to balance on all four quarters on a small circle instead of dragging themselves along by their front end. It includes all the positive elements of lateral and longitudinal flexion that Buck taught last year – poll slightly above withers, ears level, chin tucked towards shoulder, face vertical – allowing the horse to balance and lift at the wither and rotate their pelvis underneath them so they can engage the hindquarters. Done properly it is timed up (of course) with the horses feet – asking when the reaching front foot is about to leave the ground so you don’t take the balance away from the horse. When they get to doing it properly, all four feet travel on the same circle, they get to feeling weightless on the front end and stop stabbing their front feet into the ground (they do this because they’re off balance) you can place the foot wherever you want it – they have the balance so they can wait on you to place it. There are a ton of other things I imagine this helps with that I haven’t even discovered yet.
We eventually felt good enough with that (though far from ideal!!) to go to what the class was working on, the hindquarter/forequarter dance – basically you’re walking along with a lively walk, asking for a soft feel now and then and releasing when you get it and then you take the hindquarters away by reaching down one rein and bending the horse bringing your hand to your hip so she steps over behind with her forequarters stopped. You reach and ask when the inside hind leg is about to leave the ground. You then “open up” the leading rein, out from your hip, open your leading leg and lay the supporting rein on the base of the neck to ask the horse to step the forequarters over with the hindquarters stopped. Your outside leg would come in when the crossing foot was about to leave if you needed it. Doing this dance loads the weight on the hindquarters by walking them up under the horse with the forequarters stopped, if you do it right, when you open up, the horse is just naturally ready to bring the front end across to ‘uncoil the spring’. When it is done right, it is beautiful to watch and it feels incredible! (We didn’t do it right much on day two – we’re still working on doing it right, but we’ll get there more often!)
Bailey was still looking for support from other horses on day two, nickering at the other horses – I tried asking her to move out more when she did it, Buck saw this and told me not to get after her for nickering, just get busy and get to her feet. So that’s what I tried to do . We had some homework from day 2, more of the HQ/FQ dance and if we weren’t comfortable riding without Buck in the arena, we could work on that on the ground from all the great stuff Buck had shown us with his horses on the ground.
The afternoon of Day 2 was when we got to see Buck work the Palomino who was dangerous with fear and so buddy sour. I could write volumes about that, but might have to stick to my own personal experiences to keep this a reasonable size!
In October sometime I will be organizing a DVD viewing of the documentary “Buck” by Cyndi Meehl. It won the audience choice award at Sundance this year and is an honest depiction of what Buck is about. It’s beautifully shot and appeals to horse lovers and non horse lovers alike. I’ve started a facebook group to get the word out, so search it out if you’re interested, or leave me a comment here.